A group of men stand in front of the body of a newly constructed single-decker bus. The bus is pulled along the street by a small tractor while two men walk beside it.

A solo dancer performs a dramatic contemporary dance routine on the shoreline of Bungan Beach. His routine contains arm gestures and facial expressions as well as leaps and lunges.

A dancer wearing a beret and holding a makeshift cane draws a pipe from his pocket and puts it in his mouth. A wistful dance routine incorporating the props follows.

This unique and candid home movie footage of members of the Ballets Russes company was taken at Sydney’s Bungan Beach in the late 1930s.

Filmed in slow motion, two women and a man (Paul Petroff) make human formations on the shoreline of the beach. A woman dressed in black swimwear runs towards Petroff and leaps into his arms.

Diaghilev’s Ballet Russe – shown here on tour in Australia during 1936-37 – revolutionised ballet by giving equal emphasis to dance, music, drama and design.

Amateur filmmaker Murray-Will’s acquaintance with Ballets Russes members allowed him to capture unique images of one of the world’s greatest dance companies.

Amateur filmmaker Ewan Murray-Will captured unique and candid images of one of the world’s greatest dance companies. 

Hélène Kirsova performs in this excerpt from the one-act ballet, Le Beau Danube. Ewan Murray-Will films the action from an elevated position left of the stage.