An 80-tonne arch rib is placed on top of the main bearing as a worker guides it into place. Another man, who appears to be on a cable phone, also supervises the work.

Part of the National Film and Sound Archive’s ongoing preservation of the Efftee Film Productions output in the early 1930s, Dear Old London captures scenes of a city emerging from the effects of t

Part of the National Film and Sound Archive’s ongoing preservation of the Efftee Film Productions output in the early 1930s, Dear Old London captures scenes of a city emerging from the effects of t

A group of women talk about their experiences with the Leahy brothers. They describe how, as young women, their people sold them to the Leahy brothers for sexual purposes.

In interview and voice-over, James Leahy recollects the first time the Leahy brothers came across a new community of highlanders.

Rupert Kathner (Ben Mendelsohn) announces his filmmaking vision: a projector atop the tallest city building screening his movies on white clouds in the sky, the entire world his audience.

Rupert Kathner (Ben Mendelsohn) is having trouble selling his film to production houses.

Dad (Bert Bailey) and Dave (Fred MacDonald) arrive at Cecille’s dress shop to inspect their new inheritance.

The gala reopening of Cecille’s dress shop is threatened by an unpaid debt of £1,000.

Young Bill Ryan (Peter Finch) comes to see Dad Rudd (Bert Bailey) about marrying his daughter Sarah (Valerie Scanlan).