Image from The Edge of the World.

Jeremy Irons presents Jane Campion with the 1993 Academy Award for Best Original Screenplay for The Piano at the 66th Academy Awards.

Lucinda (Cate Blanchett) shows Oscar (Ralph Fiennes) a scale replica of a house made from glass and steel. Oscar proposes the structure be built and transported to Reverend Hasset in Bellingen.

Grace is walking through the sugar cane fields. In flashback the two sisters, playing in the cane fields, place necklaces around each other’s necks, laughing with glee.

A burning fire. The Boss (Ralph Cotterill) hands the Tracker (Bradley Byquar) his hat. Tracker accepts the gift, placing the hat on his head.

Summary by Romaine Moreton

A rugged bush. Bare feet and horses hooves. A finger coyly samples what appears to be a drop of blood on a leaf. The two men, one walking and one on a horse, come to a stream.

Lena (Jamilla Frail) and Vaughn (Luke Carroll) walking on the road. A car pulls up. Vaughn talks to the driver, his friend (Allan Campbell). Lena stands a little distant, disinterested.

A long dirt road stretches ahead. A watch is held up. Lena (Jamilla Frail) is walking ahead of Vaughn (Luke Carroll). Vaughn on crutches wants to stop because it hurts. Lena doesn’t want to stop.

Aboriginal kids cling to the fence that keeps them out of the pool area. In the pool, Koorine (Carrie Prosser) races a young girl (Megan Drury).

Waxy (David Hudson) stands in the foreground. In the background by a fire, an Aboriginal warrior (Jeffrey Locke) in traditional dress throws Waxy a snake which becomes a belt when Waxy catches it.