Filmed partially in the Cronulla sandhills near Sydney during the Second World War, Forty Thousand Horsemen (Charles Chauvel, Australia, 1940) celebrates the Australian Light Horse of

In a montage of footage from 1970s feminist films, interlaced by narration and music, the clip proposes the notion of a new sisterhood. Summary by Adrienne Parr.

Using still photographs, personal narration, quoted correspondence and music, the mid-20th century history of the maternal side of the filmmaker’s family is detailed.

Using still photographs, personal narration, quoted correspondence and music, the early 20th century history of the maternal side of the filmmaker’s family is detailed.

Stan has been placed in charge of security in the Japanese compound. His friend, Hayashi (Junichi Ishada) begs him to try to reverse the order to move some of the prisoners to another location.

At the Cowra POW camp, another 100 Japanese prisoners have arrived and pour scorn on their compatriots for having accepted their prison status without a fight to the death for the honour

Corporal Stan Davidson (Alan David Lee) is still recovering from his war injury when he’s posted to the prisoner of war (POW) camp at Cowra. He assumes he’ll be guarding Italian prisoners.

Phil Goddard (Nicholas Eadie) has been called up and is being trained for the war in Indo China.

The slowly disintegrating Goddard family are watching the news. They are painfully aware that their son, Phil (Nicholas Eadie) is in Vietnam as a conscript.

In a wide shot, many highlanders are chanting and running through the grass with spears. Joe sits at home looking distraught. The Ganiga return to the village and attend to a wounded man.