The NFSA and the National Film Institute (NFI) of Papua New Guinea (PNG) have co-designed a project to assist the NFI with preser

Christopher Pidcock, a cellist with the Sydney Symphony Orchestra, played Mozart, Tchaikovsky and Bach, and we recorded it on wax cylinder – just the way it would have been done in the 19th century.

At the National Film and Sound Archive, part of our mission is to preserve audiovisual technol

At the National Film and Sound Archive, part of our mission is to preserve audiovisual technol

From fictional fathers in Round the Twist and Bluey to real-life superheroes like Steve Irwin, we salute the much-prized Australian phenomenon that is the daggy dad.

While he may be a cartoon, there’s no denying the delightful doggy

Step behind the scenes to unpack the ideas, influences and creative collaborations fuelling Inferno, an audiovisual installation by Paris-based Australian artist Mikaela Stafford commissioned by the NFSA.

Melbourne/Naarm-based electronic producer and vocalist Kate Durman is known for her project

Jazz Money reflects on making their film WINHANGANHA and engaging with the audiences and communities who are encountering it at screenings in Australia and around the world.

The film Jaws