This is a spectacularly well-handled sequence, made more effective by the fact that we see the actors doing it for real. It’s preceded by a tense sequence in which Mrs Parsons and Helen are chased by a crocodile, so that we are very aware of the dangers (even if no crocs are seen in this sequence). Cattle crossings were a feature of American westerns and had been depicted before in Australian films, but never on such a large scale. Watt’s documentary background informed the way he mounted the whole film. As far as possible, the actors did their scenes as real, without stand-ins.
The score adds a strong sense of majesty and adventure to underline the pioneering spirit of the undertaking. This was more than a cattle drive; this was a patriotic cattle drive, aimed at depriving the enemy of food, should there be a Japanese invasion of northern Australia. John Ireland’s music invests the whole sequence with a sense of noble purpose, to complement the immense physicality of the images. Ireland was a British composer, but this was his only film score.
Notes by Paul Byrnes
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.