This silent advertisement promotes the new ‘Touring Talkie Show’ truck operated by Hoyts – with sponsorship from Studebaker Car Corporation and the Shell Oil Company.
A fleet of Studebaker sedans along with executives from Shell, Studebaker and Hoyts meet the ‘Talkie Truck’ as it pulls in to Melbourne. The executives shake hands with the sound technicians and engineers.
The truck then pulls into a service station and fills up with 'Shell Spirit and Oil’. People gather around to watch. The truck then pulls up outside the Regent Theatre where it is farewelled as it embarks on its tour of country centres.
Summary by Poppy De Souza.
This advertisement would have screened in regional cinemas prior to the coming of the Touring Talkie Show program, simultaneously creating an interest in and building the profile of the pioneering venture. By presenting the departure of the touring fleet from Melbourne as an important and public event, the advertisement positions the joint Hoyts, Shell and Studebaker venture as a service which audiences in country areas both need and deserve.
The screening program for these initial roadshows consisted of American films, and it wasn’t until 1931 that the first complete program of Australian talking pictures screened in local movie houses.
The Regent Theatre in Melbourne’s Collins Street was the flagship of Frank Thring Snr’s Hoyts chain and opened in 1929. In November that year, it screened the first talkie footage of the Melbourne Cup.
This silent advertisement promotes the new ‘Touring Talkie Show’ truck operated by Hoyts – with sponsorship from Studebaker Car Corporation and the Shell Oil Company.
This advertisement takes the form of a news item with a clear storyline, a format familiar to cinema goers of the time who were used to watching newsreels. It is also an early example of cross-promotion where the interests of Hoyts, Shell and Studebaker are all promoted through their support for the 'Touring Talkie Show’. The advertisement focuses on the spectacle and excitement of the joint venture as first fleet of sedans depart from Melbourne for country areas. It does this by presenting the touring fleet of sedans as an event in itself, showing company executives and members of the public as equally interested in the venture, and in positioning the tour as a community service.
Hoyts Theatres, the Studebaker Car Corporation and the Shell Oil Company of Australia combined in a £6,000 deal to tour talking pictures around regional areas. The tour was the first of its kind in Australia. The enterprise was important because, while many cinemas in the capital cities had been wired for sound, audiences in country areas missed out. Portable sound equipment that toured in these Hoyts vans allowed country audiences to enjoy the coming of sound like their city counterparts. Over the next decade, theatres around the country were being wired to meet the growing demand to see talking pictures. By 1937 all Australian cinemas countrywide had been converted to sound.
The nitrate print of this advertisement was deposited with the National Film and Sound Archive by Ross King, who built a collection of cinema advertisements from the 1950s and 1960s, as well as a selection from 1920s, ’30s and ’40s. The film was given to King by Harry Gratton and, although instructed by his employer Val Morgan to destroy the print, he did not. It is thanks to both Gratton and King that this film survives.
Notes by Poppy De Souza
This black-and-white clip shows a silent cinema advertisement for Hoyts’s 'Touring Talkie Show’, which took sound films and audio equipment to rural cinemas not equipped for sound. In the clip, executives from the Hoyts, Studebaker and Shell companies greet one of the Hoyts trucks, or 'Roadshow Units’, in a Melbourne street. The truck fills up with petrol and oil at a kerbside Shell bowser, and makes a stop, en route to the country, at Hoyts’s Regent Theatre, where it is given three cheers by Studebaker representatives on its departure. The clip includes intertitles.
Educational value points
Early moving-image cinema advertisements, which were made from about 1900 onwards, often had a narrative or, like this clip, took the form of a quasi news item. This story-based approach is still widely used in advertisements and 'infomercials’, with a news story or documentary format used to lend authenticity to the advertiser’s claims.
Education notes provided by The Learning Federation and Education Services Australia
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.