TAGGED: Russian Ballet
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In a series of moving portraits, Ewan Murray-Will films Hélène Kirsova with friends and family at her wedding reception.

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A solo dancer performs a dramatic contemporary dance routine on the shoreline of Bungan Beach. His routine contains arm gestures and facial expressions as well as leaps and lunges.

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A dancer wearing a beret and holding a makeshift cane draws a pipe from his pocket and puts it in his mouth. A wistful dance routine incorporating the props follows.

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Filmed in slow motion, two women and a man (Paul Petroff) make human formations on the shoreline of the beach. A woman dressed in black swimwear runs towards Petroff and leaps into his arms.

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Diaghilev’s Ballet Russe – shown here on tour in Australia during 1936-37 – revolutionised ballet by giving equal emphasis to dance, music, drama and design.

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Amateur filmmaker Ewan Murray-Will captured unique and candid images of one of the world’s greatest dance companies. 

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Hélène Kirsova performs in this excerpt from the one-act ballet, Le Beau Danube. Ewan Murray-Will films the action from an elevated position left of the stage.

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In the final scenes from Léonide Massine’s symphonic ballet Les Presages, dancers from the Ballets Russes du Monte Carlo move frenetically across the stage, performing a series of strange

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In this brief colour sequence from the ballet Thamar, Thamar seduces a man whom she is going to lure to her castle before killing him.