https://www.nfsa.gov.au/sites/default/files/featured/image07-2018/nfsa_pres_lightblue_bird_0.png
TAGGED: filmmaking
video
Asset
The Balanda and the Bark Canoes: An invitation

Rolf de Heer talks about being invited by David Gulpilil to his country to make Ten Canoes (2006).

Article
Deep Dive: Jocelyn Moorhouse in Conversation

We bring you a recording of our conversation with Jocelyn Moorhouse when she visited the NFSA in 2019 to discuss her book, 'Unconditional Love: A Memoir of Filmmaking and Motherhood'.

image
Asset
Mad Max crew setting up a shot

This production photo of Mad Max features, from left: Chic Stringer (stills photographer), Garry Wilkins (sound recordist), Harry Glynatsis (camera assistant), John Hipwell (unit manager),

image
Asset
Mad Max crew on location

A production still of the Mad Max crew on location. Director George Miller is visible at far left wearing an overcoat.

video
Asset
George Miller: Making Mad Max on a budget

'The entire budget was $350,000', says George Miller in this interview with Paul Byrnes for australianscreen online in 2006. 

image
Asset
Paulette McDonagh directing The Cheaters

A behind-the-scenes photo from the set of The Cheaters (silent version, 1929).

Article
A Short History of Indigenous Filmmaking

Within a generation, Aboriginal and Torres Strait Islander filmmakers have become a vibrant presence in the centre of filmmaking in Australia.

video
Asset
The Balanda and the Bark Canoes: Swamp canoes

Rolf de Heer oversees the construction of swamp canoes that will be used in the film Ten Canoes (2006). Summary by Romaine Moreton.

video
Asset
The Balanda and the Bark Canoes: For the future

Against a backdrop of images of the Ramingining community, director Rolf de Heer talks about the unexpected problems in casting Ten Canoes (2006).

video
Asset
Fire Guardians: A fire emergency

Members of the NSW Fire Brigade tackle a blaze at a paper mill until the fire is brought under control. The smoking wreckage and the building’s shell is all that remains.