Aspect ratio

 

The ratio of the width to height of the picture image projected on the screen or printed on the film. The height is taken as unity (expressed as xx:1).

Film

The long established film aspect ratio is still retained for narrow gauge film is 4:3 (or a ratio of 1.33:1. With masking this is projected at a ratio of 1.37:1).

widescreen cinema presentation systems may have aspect ratios from 1.65:1 up to 2.55:1.

Video

The current television aspect ratio is 4:3. Early television systems were 5:4 to provide the maximum rectangle obtainable on the circular picture tubes then in use.^^ Wide screen television has an aspect ratio of 16:9.

 

 

Common Cinema Presentation Systems

System Aspect Ratio Gauge
Negative Print
Standard 16mm 1.37:1 16mm 16mm or Optical 35mm
Super 16mm 1.65:1 Extended 16mm Optical and Masked 35mm
Standard 35mm Wide Screen 1.37:1 Academy Frame 35mm AF 35mm
1.65:1 1.75:1 1.85:1 Masked 35mm Masked 35mm
Panavision Spherical Wide Screen 1.37:1 AF 35mm AF 35mm
1.37:1 1.75:1 1.85:1 Masked 35mm Masked 35mm
Techniscope Anamorphic (Panavision 35mm, Todd-AO 35mm, etc) 2.35:1 2.35:1 Camera Masked Std width 2 perf high 35mm 35mm Optical/ Anamorphic 35mm
Anamorphic 35mm
Optical 70mm

 

 

System Pers per frame print Optical System
Camera Projection
Standard 16mm 1 Std 16mm Std 16mm
Super 16mm 4 Std 16mm Std 35mm
Standard 35mm Wide Screen 4 Std 35mm Std 35mm
4 Std 35mm Widescreen 35mm
Panavision Spherical 4 35mm Panavision Spherical Std 35mm
Widescreen 4 Std 35mm Widescreen 35mm
Techniscope 4 Std 35mm Anamorphic 
Anamorphic 4 Anamorphic  Anamorphic 
Panavision 35mm, Todd-AO 35mm etc 5   Std 70mm

 

 

 

System

Proj. Speed

Audio

 

Frames per Sec.

Feet per Min.

Sound
Track

No. per
Tracks

Sound to Picture
(Frames)

Standard
16 mm
24 36 Optical 1 26
Ahead
Super
16 mm
24 90 Optical 1 20
Ahead

Standard 35mm

Wide Screen

24 90 Optical 1 20
Ahead
24 90 Optical 1 20
Ahead

Panavision Spherical

Wide Screen

24 90 Optical 1 20
Ahead
24 90 Optical 1 20 Ahead

Techniscope

Anamorphic
(Panavision 35mm, Todd-AO 35mm, etc.

24 90 Optical or
Magnetic
1
4
20
Ahead
28
Behind
24 90 Optical or
Magnetic
1
4
20
Ahead
28
behind
24 112.4 Magnetic 6 24 Behind

 

System Proj. Speed Audio  
Frames per Sec. Feet per Min. Sound No. per Sound to Picture
Track Tracks (Frames)
     
Standard 24 36 Optical 1 26
16 mm Ahead
Super 24 90 Optical 1 20
16 mm Ahead
Standard 35mm 24 90 Optical 1 20
  Ahead
Wide Screen 24 90 Optical 1 20
  Ahead
Panavision Spherical 24 90 Optical 1 20
  Ahead
Wide Screen 24 90 Optical 1 20 Ahead
Techniscope 24 90 Optical or 1 20
  Magnetic 4 Ahead
Anamorphic     28
(Panavision 35mm, Todd-AO 35mm, etc.     Behind
  24 90 Optical or 1 20
  Magnetic 4 Ahead
      28
      behind
  24 112.4 Magnetic 6 24 Behind

 

The following systems are being phased out of production or are already obsolete:

 

 

System

Aspect
Ratio

Guage

Negative

Print

Cinemascope 2.65:1 35mm Anamorphic 35mm
Todd-AO 70 2.2:1 65mm 70mm
Technirama 70 2.2:1 Double Frame Horizontal 35mm 70mm
Super Panavision 2.2:1 65 mm 70mm
Cinerama
Dimension 150
Ultra-Panavision
2.7:1 65mm 70mm

 

 

System

Perfs.
per
Frame Print

Optical System

Camera

Projection

Cinemascope 4
(Foxhole type)
Anamorphic Anamorphic
Todd-AO 70 5 Std 65mm Std 70mm
Technirama 70 5 Anamorphic Technirama Std 70mm
Super Panavision 5 Std 65mm Std 70mm
Cinerama
Dimension 150
Ultra-Panavision
5 Anamorphic Variable anamorphosis to each side and 120° screen curvature

 

 

 

 

System

Proj. Speed

Audio

Frames per Sec.

Feet per Min.

Sound
Track

No. per
Tracks

Sound to Picture
(Frames)

Cinemascope 24 90 Magnetic 4 28 Behind
Todd-AO 70 24 112.4 Magnetic 6 24 Behind
Technirama 70 24 112.4 Magnetic 6 24 Behind
Super Panavision 24 112.4 Magnetic 6 24 Behind
Cinerama
Dimension 150
Ultra-Panavision
24 112.4 Magnetic 6 24 Behind

 

 

References

^^ 1969, The Focal Encyclopedia of Film and Television Techniques, Focal Press, London, New York