Ella Havelka, the first Indigenous dancer with the Australian Ballet, discusses the documentary Ella with director Douglas Watkin.

Ella Havelka, the first Indigenous dancer with the Australian Ballet, discusses the documentary Ella with director Douglas Watkin.
The NFSA highlights the work of Tracey Moffatt, the groundbreaking contemporary artist and filmmaker.
Ann Robb looks at the process of returning Indigenous cultural materials, including those that were once housed in the former Institute of Anatomy building before it became the NFSA headquarters in Canberra.
Johnny Milner looks at influential Arrernte artist, Albert Namatjira and how he used his art as a vehicle for political reform.
Director Ian Darling, ex-footballer Michael O’Loughlin, and AFL Inclusion and Social Policy Manager Tanya Hosch discuss the Adam Goodes documentary The Final Quarter and racism in sport with ABC's Fran Kelly.
Discover the inspiring Australian Biography life stories of four leaders in Reconciliation.
Costume designer Norma Moriceau drew on her background in the London punk scene when creating iconic costumes for Mad Max 2 and Mad Max Beyond Thunderdome.
To coincide with National Reconciliation Week, we look back at the Walk for Reconciliation across the Sydney Harbour Bridge on 28 May 2000.
The insane, death-defying sequences, performed by talented stunt performers, are a huge part of the appeal of the Mad Max films.
Powderfinger's Bernard Fanning and producer Nick DiDia talk with the NFSA's Sam Dignand about the making of the band’s iconic album, Internationalist.
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.