Dreaming in Motion - Mimi: Non refundable

Title:
Dreaming in Motion - Mimi: Non refundable
NFSA ID:
610481
Year:
2002
Category:
WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following clip may contain images and voices of deceased persons
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Catherine (Sophie Lee) is telling her friend about her investments. She goes to get the pieces from out of the cupboard. The painting of the barramundi is now a merely skeleton of its former self. Somehow the rest of the painting has disappeared.

Summary by Romaine Moreton

This clip emphasises the Catherine’s ignorance in regard to not only Indigenous art, but also the historical, cultural and artistic significance of the pieces. Mimis, for example, are incredibly sacred and powerful beings, and yet Catherine is absolutely oblivious to their Indigenous cultural significance.

Mimi Synopsis

A short drama about a young Western art collector who gets more than she’s bargained for when she purchases Indigenous art pieces that include a Mimi statue and a painting of a barramundi.

Mimi Curator's Notes

A clever film from director–writer Warwick Thornton (Kaytej), that satirises the Indigenous art industry, poking fun at white art connoisseurs who purchase Indigenous art purely for its investment value. Richard Bell (Kooma, Kamilaroi, Jiman, Goreng Goreng) won the 20th Telstra National Aboriginal Arts Award in August 2003, his winning entry was titled Scienta E Metaphysica (Bell’s Theorem), or Aboriginal Art Its a White Thing, and is an Indigenous artist’s perspective on the Aboriginal art industry satirised by Thornton in Mimi.

Indigenous art is a growth industry that came into prominence during the 70s, and implicit within the notion of authentic Indigenous art is also the idea of the authentic Aborigine. Thornton exploits the idea of the authentic Aborigine when Catherine (Sophie Lee), having bought two pieces of Indigenous art, one being a Mimi statue which mysteriously comes to life and haunts her apartment, asks her friend if she knows any authentic Aborigines who can get rid of the Mimi presence for her. In fact, Aboriginal art is required to have a certificate of authenticity to prevent fraudulent reproductions, and it is this correlation between the idea of an authentic Aborigine and authentic Aboriginal art that Thornton comically manipulates in this short film.

Thornton is a respected cinematographer as well as a writer–director of film. As a cinematographer, he worked on films such as Queen of HeartsRadiancePlains EmptyFlat and Buried Country. His other works include Green BushThe Old Man and the Inland Sea, and Photographic Memory: A Portrait of Mervyn Bishop.

Other films in the AFC Indigenous Branch drama initiative Dreaming in Motion are Black TalkFlatShit Skin and Turn Around (all 2002).

Notes by Romaine Moreton

Production company:
Blackfella Films
Producer:
Darren Dale, Rachel Perkins
Director:
Warwick Thornton
Cast:
David Gulpilil, Sophie Lee, Aaron Pedersen
Acknowledgements:
Produced with the assistance of the Indigenous Branch of the Australian Film Commission, SBS Independent and the New South Wales Film and Television Office