Cold Turkey: Slow down

Title:
Cold Turkey: Slow down
NFSA ID:
570631
Year:
2002
Category:
WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons
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Shane (John Moore) and Robby (Wayne Munro) kick back and have a few cold beers. Robby is determined to go to Coober Pedy to mine opals but his older brother sounds sceptical. Summary by Romaine Moreton.

The sibling rivalry between the brothers is established, and Shane, as the older brother, is determined to be his brother’s nemesis.

 

Cold Turkey synopsis

A film about sibling rivalry. Robby (Wayne Munro) is leaving for Coober Pedy and a job in the opal fields but his older brother Shane (John Moore) doesn’t want to be abandoned in Alice Springs. He engineers a drunken night in the name of 'brotherly love’ that will have unforeseen consequences for them both.

 

Cold Turkey curator's notes

One of the short features to come out of the Indigenous Unit at the Australian Film Commission, Cold Turkey is a story about sibling rivalry. It is a story that is told in a series of flashbacks and flashforwards, which at times may make it difficult to follow. Stylistically, it is true to the journey of the hero Robby (Wayne Munro), who in the story suffers from blackouts. A film from writer-director Steve McGregor, Cold Turkey is very much a men’s story.

Cold Turkey screened at many national and international film festivals in 2003, receiving a commendation from the jury of the Milan International Film Festival. At the 2003 AFI Awards, Cold Turkey was nominated for Best Screenplay in a Short Fiction Film (Steven McGregor) and the Award for Open Craft in a Non Feature Film (John Moore for acting).

Notes by Romaine Moreton

    Production company:
    CAAMA Productions
    Producer:
    Priscilla Collins (AKA Cilla Collins)
    Line Producer:
    Kath Shelper
    Director:
    Steve McGregor
    Writer:
    Steve McGregor
    Composer:
    David Bridie
    Acknowledgements:
    Produced with the assistance of the Indigenous Branch of the Australian Film Commission