
An art auction. A woman is purchasing two pieces of art – a Mimi statue and a painting of a barramundi fish.
Summary by Romaine Moreton
A clever film from director–writer Warwick Thornton (Kaytej), that satirises the Indigenous art industry, poking fun at white art connoisseurs who purchase Indigenous art purely for its investment value. Richard Bell (Kooma, Kamilaroi, Jiman, Goreng Goreng) won the 20th Telstra National Aboriginal Arts Award in August 2003, his winning entry was titled Scienta E Metaphysica (Bell’s Theorem), or Aboriginal Art Its a White Thing, and is an Indigenous artist’s perspective on the Aboriginal art industry satirised by Thornton in Mimi.
Indigenous art is a growth industry that came into prominence during the 70s, and implicit within the notion of authentic Indigenous art is also the idea of the authentic Aborigine. Thornton exploits the idea of the authentic Aborigine when Catherine (Sophie Lee), having bought two pieces of Indigenous art, one being a Mimi statue which mysteriously comes to life and haunts her apartment, asks her friend if she knows any authentic Aborigines who can get rid of the Mimi presence for her. In fact, Aboriginal art is required to have a certificate of authenticity to prevent fraudulent reproductions, and it is this correlation between the idea of an authentic Aborigine and authentic Aboriginal art that Thornton comically manipulates in this short film.
Thornton is a respected cinematographer as well as a writer–director of film. As a cinematographer, he worked on films such as Queen of Hearts, Radiance, Plains Empty, Flat and Buried Country. His other works include Green Bush, The Old Man and the Inland Sea, and Photographic Memory: A Portrait of Mervyn Bishop.
Other films in the AFC Indigenous Branch drama initiative Dreaming in Motion are Black Talk, Flat, Shit Skin and Turn Around (all 2002).
A short drama about a young Western art collector who gets more than she’s bargained for when she purchases Indigenous art pieces that include a Mimi statue and a painting of a barramundi.
Notes by Romaine Moreton
This clip, taken from the beginning of the short feature Mimi, shows Catherine (Sophie Lee) at an art auction, where she successfully bids for two Indigenous artworks, a Mimi spirit sculpture and a painting of a barramundi fish. Credits for the film are cleverly included within the auction catalogue that Catherine is flipping through. As she collects her purchases, she asks the auctioneer if the artworks will double in value over the next year. Returning to her modern apartment, she leans the artworks against a wall, checks her phone messages and prepares to go out to meet her friends. She puts the artworks in a closet, discovering the Mimi sculpture has left a mark on the wall, and leaves the apartment.
Education notes provided by The Learning Federation and Education Services Australia
Catherine is at an art auction where she successfully bids for two Indigenous artworks.
Auctioneer And so we come to the last item on the list tonight – to artworks from Maningrida in Arnhem Land. The first, a painting depicting a barramundi and the other a Mimi sculpture. The artist is unknown. We’ll start the bidding at $500. Who’ll give me $500? Madam – $500. $600? Thank you, sir – $600. $700?
Catherine No, 800.
Auctioneer Is anyone $900? Any? For $800 sold. Thank you very much, madam.
Catherine pays for the artworks.
Catherine Do you think that’s a good price for these things?
Auctioneer Yes, they’ll look beautiful together anywhere in your house.
Catherine I mean, like, in a year’s time will they double in price?
The auctioneer stares at her with hostility.
Catherine Come to think, I do like the fish one.
Catherine returns to her apartment, leans the artworks against a wall and plays her phone messages while she gets ready to go out.
Woman (on first phone message) Cath, you bitch. We’re drinking at the Goanna Bar. You stood us up again. Hurry up and get down here. (on second phone message) Hey, we’re at the Echidna Bar. Might head over to the Dugong Club. So get your shit together, girl.
Catherine puts the artworks away in a cupboard before she goes out, discovering that one of them has left a mark on her wall.
Catherine Shit.
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.