
Carol is making coffee for Angie (Alyssa Cook) in the kitchen with her mother Alison Trig (Veronica Lang). Peter Trig (Terence Donovan) won’t let the rather overawed Angie walk home so drives her. Angie gets out at a fake address so he doesn’t know the squalor she really lives in. At her house, her drunken father Bruce Spry (Martin Harris) is flaked on the couch, and the place is a mess. Depressed, Angie covers her dad with a blanket and begins to clean up. Next day, working in the hamburger bar she is a different person, relaxed, having fun and treated with respect by the customers, much to Carol’s admiration. Summary by Annemaree O'Brien.
This clip contrasts the extreme differences between the two girl’s home lives. Carol’s loving middle class nuclear family is a stark contrast to the difficulties in Angie’s life with her unemployed, drunken father who doesn’t look after her – she has to look after him.
This is the story about the unlikely friendship between two girls – one a sporting champion, the other a dancer and an outsider. Carol (Nicole Kidman) is a top runner with great potential and her father runs her training program day and night. Then she meets Angie (Alyssa Cook), the punk new girl, and the two become friends, eating hamburgers at ‘The Armpit’ where Angie has to work after school. They give each other lots of support and do things together that Carol had always dreamed of. Carol sneaks off to learn dancing with Angie and loves it. She begins to rebel and plans a new life for herself. But the all-important race is coming up – and Carol has to make some decisions. Is she able to give this race all she’s got?
Starring a young Nicole Kidman sporting her trademark curls, this is a story about family relationships and (minor) teenage rebellion. Kidman’s co-star Alyssa Cook plays a punky outsider. Both young actors are terrific in their roles and it is fun to see the 1980s school uniforms, particularly the boy’s 'Warrick Capper’ school shorts. (Footballer Capper was infamous for the tight shorts he wore in the 1980s).The script was criticised by some at the time for undermining parental authority but it is very tame and politely done.
First broadcast in 1985 on Network Ten.
Notes by Annemaree O'Brien
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.