
Richard Eastwick (Hugo Weaving) has a second son, Richie (Robert Menzies), who has returned from the Second World War a broken man. He was a prisoner of war of the Japanese and seems unable to settle to life back in Australia. He feels guilt that he survived when so many others didn’t and can’t seem to shake off the terrible nightmares that keep bringing back to him what happened in those terrible jungle camps. Summary by Janet Bell.
The production captures the problems that beset many a returning POW after the Second World War. The whole nation felt that what happened should be put behind them so they were forced to bottle up their years of horror. When they found that impossible, their families were ill equipped to deal with the consequences, such as alcoholism and suicide.
Richard Eastwick (Hugo Weaving) was born in a London slum and through his vision of a future on the land and with sheer hard work and courage, he rose to become one of the wealthiest landowners in his adopted country of Australia. He encounters enormous setbacks along the way as droughts, depression and two world wars leave their mark, but what keeps him going is his dream to pass on what he has built to future generations of Eastwicks, to establish a family dynasty.
This is another of the great epic productions from the Kennedy Miller stable during their remarkable decade of television drama, the 1980s. Their output included the virtually unknown but true story of The Cowra Breakout, the larger than life political drama, The Dismissal and the great empire cricketing story of Bodyline.
Dirtwater Dynasty echoes the rags to riches Kidman and Durack pastoralist family sagas of a young man who begins life with nothing but a burning ambition to conquer the land, falls in love with the majesty of the outback and spends his life building a pastoral empire.
This family saga tells the story of Richard Eastwick (Hugo Weaving) whose shattered dreams are largely the result of his stubborn and deeply unforgiving nature. The melodrama develops as one after the other of his descendants dies or is unable to produce the family line he craves.
Notes by Janet Bell
This clip shows a scene in a large house at night as Christine Eastwick (Leverne McDonnell) and her father-in-law, Richard Eastwick (Hugo Weaving), are woken by screams from a bedroom and go to investigate. Christine goes in to find her husband Richie (Robert Menzies), recently returned from the Second World War, having a nightmare. He wakes, turns and reveals his back, covered with scars. The next scene, in a billiard room, shows Richie refusing his father’s suggestion that they tour some of the family properties. His father urges him to 'put it [the War] behind us’. That provokes an outburst from the son, who shouts and rants as he recalls some of the mates, including his brother, who would not be coming back. The film is in colour and accompanied by a music soundtrack.
Education notes provided by The Learning Federation and Education Services Australia
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.