
Alex (Nicki Wendt) asks the kids – Mike (Nikolai Nikolaeff), Pi (Cassandra Magrath), Bec (Frances Wang), Marcello (Paul Pantano) and Ram (Damien Bodie) to combine their individual ideas to create one character. After a lot of arguing they finally achieve it, then bicker over whether it will be male or female. A coin is tossed and it’s a girl! Alex loves the new character they have called ‘Vixen’. Vying for the job, each of them argues that they contributed something special to creating Vixen. Alex gives the job to all of them, except Ram because he is too young. The so far unnamed, artificial intelligence (Matthew Parkinson) is finally named when Mike comes up with Virgil, virtual intelligence. Summary by Annemaree O'Brien.
Alex is now testing the kids on how well they can work together as a team, as this is clearly an important part of games production. The tussle over the gender of the joint character is also an interesting one in the bigger picture of the games industry today.
Five very different Melbourne kids, Mike (Nikolai Nikolaeff), Pi (Cassandra Magrath), Bec (Frances Wang), Marcello (Paul Pantano) and Ram (Damien Bodie) independently discover a coded message while playing games on the internet. By following the clues and playing the game, they are led to a meeting with Alexandra Davis (Nicki Wendt), head of software company Catalyst. She has a dream job – testing video games after school. But she only has one job and there are five of them. The competition is strong but they work well together and ultimately Alex offers them all a job except for Ram because he is too young. Ram sort of accepts this but hangs around anyway. Working together brings new relationships and friendships. It also brings surprises, including the discovery of Virgil (Matthew Parkinson), a strange artificial intelligence loose on the net.
At the time this was an edgy, high-tech series based on video gaming. While some of the technology now looks a bit dated, the stories remain engaging and the characters are very appealing. The look and feel of the series is still fresh and exciting and the sets are gorgeous.
Crash Zone first went to air on the Seven Network at 9.30 am on Saturday 13 February 1999, starting with The Dream Team. It screened weekly in this timeslot.
Notes by Annemaree O'Brien
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.