
Frank Djara introduces himself. Frank tells us diabetes is like a time bomb. Black-and-white photographs show Areyonga where Frank is from. We also see black-and-white photographs of Indigenous children. Frank introduces us to his childhood friend Jarla. The two men tell us about their experience of growing up in Areyonga and going to school and to church, which was also the hospital. Summary by Romaine Moreton.
An easy introduction to Frank Djara who, with Jarla, gives us a personal account. Frank Djara’s story is told simply with photographs as a visual aid and, like many of the Nganampa Anwernhenkene series, the landscape itself contextualises the story we are viewing.
A documentary about Frank Djara and his work as a men’s health consultant in Areyonga. Frank also talks about how diabetes has affected his life.
The title of this documentary, Time Bomb, is how Frank Djara refers to living with diabetes. Frank Djara was the first male health worker in Areyonga, and was hired to work with Indigenous men. Previously there had been women health workers only, which made it uncomfortable for men to confide their health problems. The language barrier also posed a problem, and consultations between Indigenous male patients and white doctors were problematic. Time Bomb presents as a documentary about a man’s life experience, but as the film progresses, the deeper meaning of Frank Djara’s life experience bubbles to the surface.
Time Bomb communicates to the Indigenous community the importance of treating diabetes, especially if one or both parents is afflicted with it. Time Bomb is challenging to watch as it deals with health issues. Frank Djara is very generous in sharing his experience, but also very strong in promoting the importance of looking after one’s self. Frank would eventually lose both his legs below the knees to diabetes, and the consequence of neglecting diabetes is powerfully communicated during these sequences.
The Nganampa Anwernhenkene series allows the subject’s voice to set the tone of the film and, in Time Bomb, Frank Djara’s life story sets up the eventual health-related focus of the film. These are serious issues that are being presented, and the simplicity of the film is in how it sets up these issues visually by use of shots of country. The audience gets a sense of remoteness so that when we are in the city clinics, the tension between Western and Indigenous cultures is immediately apparent. It is these tensions that Indigenous patients and health workers alike must negotiate in order for health care to be administered.
Notes by Romaine Moreton
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.