
An elder speaks about the effects of tourism, and the responsibility of cleaning up the land. Summary by Romaine Moreton.
Desert Tracks is a good introduction to the philosophy of Indigenous people, and how total dependency upon land inspired a way of living that was also respectful. The land is spoken of in Desert Tracks as being alive, and in need of care.
A film that speaks about the Pitjantjatjara people’s efforts to preserve vital cultural information in order to care for land by turning to tourism.
Desert Tracks documents the Pitjantjatjara people’s desire to retain their traditional culture. 'Desert Tracks’, a business initiated without government funding, is a community’s attempt to sustain itself culturally, and is an important initiative in the context of self-determination.
Episodic in structure, Desert Tracks is a great promotion for a community-driven initiative to achieve the cultural preservation of the Pitjantjatjara people. A genuine love of land, and the kindred relationship to it, is woven through this documentary, and the need to communicate the importance of land to tourists is done with patience and tenderness. The responsibility of caring for land is central to the business initiative undertaken by the Pitjantjatjara people, and to have this cultural perspective effectively communicated to and received by tourists is all part of the work of the Pitjantjatjara custodians. The outcome intended is that all folk share a common respect for the land and value the ecology equally.
Notes by Romaine Moreton
This clip shows an Aboriginal Elder speaking in Pitjantjatjara accompanied by English subtitles. He talks about Dreamings of bush foods and of places such as rock holes and creeks, and how they were created. There is footage of a large mob of cattle being mustered. He explains that cattle pose a problem for the land and as a consequence the land is bare. He says that the Anangu would like to fence and restore the land, but without a vehicle such work is very difficult. Aboriginal artists are also shown making artefacts for tourists.
Education Notes provided by The Learning Federation and Education Services Australia
An Aboriginal man talks about his country. Footage of him speaking is intercut with footage of a large mob of cattle being mustered, Aboriginal artists making artefacts for tourists and images of the landscape.
Aboriginal elder (Speaks in Pitjantjatjara) We have dreamings about foods and how we use them. We have many dreamings about places and how they were created. How many things came to be, like rock-holes and creeks. Cattle are a problem, they come and eat all the grass and they leave our country bare! If we fence the area it would be restored, good for tourists to see. We would not hunt in this area, we would go further away to hunt. It is hard for me, my movement is restricted by my two jobs. I find it very hard to be with the tourists all the time. Another thing is that our country is hard to clean up, there is so much rubbish. I see the rubbish and tell the others but they don’t understand. If there is work for us we will do the job. If we know the tourists are coming we get ready for them. Maybe there is work for us to clean up this country. That is a big problem for us because we have no vehicles.
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.