
Clinton (Michael Tuahine) and Crystal (Kylie Farmer) are relaxing on the balcony of Clinton’s apartment. Crystal calls Clinton a big head and a coconut, accusing him of being a 'big notin’ sellout’. Summary by Romaine Moreton.
The subtext of this romantic comedy is one of cultural values. The character Clinton, caught up in the corporate world and in pursuit of material possessions, is rejected by Crystal who in calling Clinton a sell out and a coconut (brown on the outside, white on the inside) is accusing him of wanting to be white.
A romantic comedy about a young corporate businessman whose computer is taken by a woman he offends on the beach.
This romantic comedy from writer–director Rima Tamou, explores the role cultural values plays in the romance between two Indigenous characters. Though a light-hearted film, the undertones of Sa Black Thing are embedded in the socio-economic status of Indigenous people within the Australian community, and how this socio-economic position plays on notions of identity and blackness. The film then becomes more about how wealth and materialism is perceived as being un-Aboriginal as evidenced when the lead female character Crystal (Kylie Farmer) accuses Clinton (Michael Tuahine) of being a coconut (brown on the outside, white on the inside).
Tamou has also directed Best Foot Forward, Les Ridgeway, Richard Bell, Saturday Night, Sunday Morning, and Thancoupie. This program has also screened on NITV, National Indigenous Television.
Other films in the AFC Indigenous Branch drama initiative Dramatically Black are The Djarn Djarns, Plains Empty, Green Bush (all 2005) and Crocodile Dreaming (2006).
Notes by Romaine Moreton
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.