
This clip begins with a sign which says 'Tarn Shan Tin Mine’. The camera pans across the mountainside, showing a man pulling a bucket from a well, local workers standing on large wooden barrels and the expatriate men who run the mine. Summary by Poppy De Souza.
Horace Buckley was sent to Thailand (then called Siam) in the late 1920s to open the Tarn Shan Tin Mine, seen in this clip. Aspects of expatriate work life in South-East Asia are not often captured in home movies, let alone from the 1920s. Buckley’s involvement in the mine gave him an interest in filming what might otherwise be thought unimpressive, particularly by those of us unfamiliar with tin mining. What it reminds us, however, is that Australians have worked and lived in the region for decades.
Tin is an important natural resource in Thailand and Malaysia. Another example of tin mining in the region can be seen in the home movies of Dubbo-born Arthur Reginald White, who lived in Malaysia (then Malaya) for 30 years after the end of the First World War and filmed the workings of a tin processing plant in the 1930s (see Tin Mining in Malaya, c1930).
This silent 16mm home movie footage was shot by Horace Patrick Buckley in the late 1920s, while working in Thailand at the Tarn Shan Tin Mine. It includes footage taken at the mine, various street and village scenes in South-East Asia, shots of the Buckley family on board a boat and holiday scenes in Australia.
This home movie is an example of actuality footage that presents personal experiences of the Asia-Pacific region in the 1920s. This footage is rare because Australians travelled infrequently to South-East Asia at the time. Horace Patrick (HP) Buckley was living in Kuala Lumpur, Malaysia, and working in Thailand (then called Siam) when he filmed this home movie. As well as capturing aspects of his working life, Buckley also filmed the landscape and streets of Thailand and Malaysia. As a university student, HP Buckley was part of the Locke Oil Expedition in Western Australia in 1922. By the late 1920s, he was working for BHP, and was asked to set up the Tarn Shan Tin Mine for the Siamese government. Buckley and his wife Nell moved to Kuala Lumpur and lived in the region until the late 1930s.
This home movie is part of the Buckley Family Collection, preserved at the National Film and Sound Archive. The collection comprises home movies made by brothers HP, Kethel Timothy (Keith) and Brian Buckley between 1929 and 1963. Although all three brothers loved making home movies, none of them took up cinematography as a profession. Anthony Buckley, Keith’s son and HP’s nephew, is the only member of the Buckley family to enter the professional film industry. Since picking up a 9.5mm camera in the early 1950s, Anthony Buckley has gone on to become one of Australia’s foremost film producers. His credits include Caddie (1976), Bliss (1985), BeDevil (1993) and Oyster Farmer (2004).
Notes by Poppy De Souza
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.