
The Premier of NSW, Jack Lang, and a large party of officials, walk towards the ribbon at the approach to the Sydney Harbour Bridge. As the ribbon is cut, the commentator John Harper remarks on the crowd who are clapping and yelling, ‘they’re that excited’.
A view back towards the bridge captures the crowd, and three planes can be seen in the sky overhead. The parade begins as they approach the bridge to walk across it for the first time. The Sydney Harbour Bridge Workers – the ‘greatest men in the world’ according to Harper – are one of the first groups in the parade. The camera captures other floats parading towards the bridge. Summary by Poppy De Souza.
The notable absence in this newsreel is the ‘De Groot incident’ where an officer of the New Guard, Captain Francis De Groot, on horseback, slashed the ribbon with his sword – beating the Premier to the task. De Groot was quickly escorted away by police and the ribbon was retied for the Premier’s official cutting of the ribbon.
As well as the remarkable visual coverage that this newsreel provides, the uncontained pride and excitement of Harper’s commentary strongly conveys what people must have felt at the time the Bridge was opened. Harper remarks that it makes one ‘proud to be Australian’. The dense crowd huddled around the bridge’s approach and the floats and people in the parade are a record of the importance of the event for the people of Sydney, New South Wales, and the country as a nation.
On Saturday 19 March 1932, a large crowd gathered around Sydney’s Harbour Bridge for the official opening ceremony. This newsreel footage with on-the-spot commentary contains unique coverage of the historical event.
This remarkable newsreel special, shot for Paramount Pictures, contains scenes from the official opening ceremony and parade, with commentary by John Harper from Paramount Sound News. The construction and opening of the Sydney Harbour Bridge symbolised progress and hope, and was a great technological and engineering feat. This newsreel focuses especially on the hope and pride that the Bridge embodied for people at a time of economic depression.
Filmed from a slightly elevated level, the footage captures the crowds surrounding the approach to the Sydney Harbour Bridge and beautifully conveys the sense of excitement and spectacle of the official opening. The film contains the opening ceremony and speech; the unveiling of the plaque; the cutting of the ribbon by Premier Jack Lang; close-up coverage of the parade moving on to the southern end of the Bridge; shots of Charles Kingsford Smith flying over the harbour; and detailed shots of the city backdrop and harbour filled with dozens of ships.
Commentator John Harper provides on-the-spot commentary absent from all other known footage of the Bridge opening. Harper offers objective descriptive commentary, identifying parts of the ceremony and naming the dignitaries in attendance, but also gets caught up in the excitement and atmosphere of the ‘glorious’ day, and speaks directly to the audience at times – ‘can you hear those cheers?’, ‘we should be very proud’ and ‘you just don’t know what you’re missing’. This serves to really pull the viewing audience into the action on screen and create a sense of almost being there. It is Harper’s commentary and the uncontained pride and excitement in his voice that brings this newsreel to life and it retains its power seventy-five years on. One can only imagine how exciting this event must have been at the time for the people of Australia generally and New South Wales in particular. Seventy-five years on, the Bridge retains a special place in our nation’s heritage.
Home movie recordings of this event provide an alternative experience and perspective. See for example Farey: Opening of Sydney Harbour Bridge: Home Movie in which a family document their trip from Melbourne to witness the opening of the Bridge in Sydney.
The Opening of the Sydney Harbour Bridge was restored by the National Film and Sound Archive in 2007. Until its restoration, it ‘had probably not been seen by the Australian public since its commercial distribution over 70 years ago’ (AFC media release, 15 March 2007).
Notes by Poppy De Souza
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.