
This is an excerpt from an oral history interview Andrew Pike conducted with Corinne Cantrill and Arthur Cantrill in 1970.
Corinne talks about the techniques used in their feature film Harry Hooton (1969) and gives her opinion on the film’s merit.
The Cantrills were pioneering figures in Australian experimental filmmaking. Read more about the life and work of Corinne Cantrill.
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.