We acknowledge Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and give respect to their Elders, past and present.

Read our Statement of Reflection

Your Cart

Your cart is empty right now...

Discover what's on
Your Stuff
Lists
No lists found
Create list
List name
0 Saved items
Updated: a few seconds ago
Getting Started
Get started with Your Stuff

A free Your Stuff account allows you to save, list and share your favourite collection items and articles. This account will give you access to Your Stuff, NFSA Player and Pro. You will need to create an additional account for Canberra event tickets.

Confirm
Skip to main content
National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

Five Australian Figure Types

1930

Five Australian Figure Types

1930

  • NFSA IDK30SX7FM
  • TypeImage
  • MediumDocumentation
  • FormAdvertisement (includes promotional), Still Image
  • Year1930

In 1926 Berlei and physiologists from the University of Sydney did an anthropometric survey of 6000 Australian women (of European descent) in order to find different figure types. The types they created were Sway Back Type, Hip Type, Abdomen Type, Average Type and Short Below Waist Type. Having many women fit into these categories meant they could manufacture corsets ahead of time and simply supply the correct size for the customer's measurements.

This research led to the creation of the Berlei Type Indicator whose moving parts could isolate the correct type from a woman's measurements. Seeking to enhance the legitimacy of their design underpinnings, images like this and the language used have a scientific and medical flavour to them. It's interesting that all but one of the figure types were pejorative terms - highlighting the 'figure flaws' of the women. Creating insecurity about a particular feature of a woman's body was (and continues to be) a successful marketing tool.

This slide was shown in an educational slideshow presented to Berlei fitters in the 1930s. It is a great example of Berlei's conscious decision to feature models of different shapes and sizes. Each woman, no matter her particular 'figure flaw', has a rose in her cheek and a proud, healthful persona. The slide is indicative of Berlei's love of pink during this era with the slide hand-coloured using pink and a tiny bit of yellow for the women's shoes. The slide uses four different typefaces.

Notes by Beth Taylor

In 1926 Berlei and physiologists from the University of Sydney did an anthropometric survey of 6000 Australian women (of European descent) in order to find different figure types. The types they created were Sway Back Type, Hip Type, Abdomen Type, Average Type and Short Below Waist Type. Having many women fit into these categories meant they could manufacture corsets ahead of time and simply supply the correct size for the customer's measurements.

This research led to the creation of the Berlei Type Indicator whose moving parts could isolate the correct type from a woman's measurements. Seeking to enhance the legitimacy of their design underpinnings, images like this and the language used have a scientific and medical flavour to them. It's interesting that all but one of the figure types were pejorative terms - highlighting the 'figure flaws' of the women. Creating insecurity about a particular feature of a woman's body was (and continues to be) a successful marketing tool.

This slide was shown in an educational slideshow presented to Berlei fitters in the 1930s. It is a great example of Berlei's conscious decision to feature models of different shapes and sizes. Each woman, no matter her particular 'figure flaw', has a rose in her cheek and a proud, healthful persona. The slide is indicative of Berlei's love of pink during this era with the slide hand-coloured using pink and a tiny bit of yellow for the women's shoes. The slide uses four different typefaces.

Notes by Beth Taylor

    Industry professional? Go Pro

    Need to license this item? A/V professionals and researchers can shortlist licensing enquiries via our NFSA Pro catalogue search and membership.

    Get started with PRO

    Collections to explore

    More in Stories+

    Personalized your experience

    Save, create and share

    With NFSA Your Stuff