Desert Tracks: Women's business
1997
Desert Tracks: Women's business
1997
- NFSA IDHVJGND6R
- TypeTelevision
- MediumMoving Image
- FormSeries
- Duration30 mins
- GenresIndigenous themes or stories, Indigenous as subject
- Year1997
- WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons
Women performing chores. The clip shows the different social responsibilities of different members of the community. Summary by Romaine Moreton.
- WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons
Women performing chores. The clip shows the different social responsibilities of different members of the community. Summary by Romaine Moreton.
- NFSA IDHVJGND6R
- TypeTelevision
- MediumMoving Image
- FormSeries
- Duration30 mins
- GenresIndigenous themes or stories, Indigenous as subject
- Year1997
- Production companyCAAMA ProductionsProducerDavid JowseyDirectorDavid Jowsey
The openness with which the Pitjantjatjara share cultural information is non confrontational, and anyone unfamiliar with Indigenous culture would not feel threatened by their ignorance on the subject. It seems the Pitjantjatjara people’s intention is that visitors at least begin to feel a connectedness with land that perhaps they did not feel before.
Desert Tracks synopsis
A film that speaks about the Pitjantjatjara people’s efforts to preserve vital cultural information in order to care for land by turning to tourism.
Desert Tracks curator's notes
Desert Tracks documents the Pitjantjatjara people’s desire to retain their traditional culture. 'Desert Tracks’, a business initiated without government funding, is a community’s attempt to sustain itself culturally, and is an important initiative in the context of self-determination.
Episodic in structure, Desert Tracks is a great promotion for a community-driven initiative to achieve the cultural preservation of the Pitjantjatjara people. A genuine love of land, and the kindred relationship to it, is woven through this documentary, and the need to communicate the importance of land to tourists is done with patience and tenderness. The responsibility of caring for land is central to the business initiative undertaken by the Pitjantjatjara people, and to have this cultural perspective effectively communicated to and received by tourists is all part of the work of the Pitjantjatjara custodians. The outcome intended is that all folk share a common respect for the land and value the ecology equally.
Notes by Romaine Moreton
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