We acknowledge Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and give respect to their Elders, past and present.

Read our Statement of Reflection

Your Cart

Your cart is empty right now...

Discover what's on
Your Stuff
Lists
No lists found
Create list
List name
0 Saved items
Updated: a few seconds ago
Getting Started
Get started with Your Stuff

A free Your Stuff account allows you to save, list and share your favourite collection items and articles. This account will give you access to Your Stuff, NFSA Player and Pro. You will need to create an additional account for Canberra event tickets.

Confirm
Skip to main content
National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

Australia's Cooee Girl

2002

Australia's Cooee Girl

2002

  • NFSA IDPA9PA7JA
  • TypeTelevision
  • MediumMoving Image
  • FormDocumentary
  • Duration52 mins, 10 secs
  • Year2002

After wowing Australia, England and Europe with her marathon swimming prowess, Annette Kellerman became famous for her vaudeville performances.

This excerpt from the documentary The Original Mermaid (Michael Cordell, Australia, 2002) uses a mixture of expert interviews, stylised re-creations, film and photographs from the time, and narration (by Tara Morice, playing Kellerman) to tell her life story. Much of Kellerman's narration is taken from papers and books that she wrote.

In voice-over, historian Murray Phillips gives context to Kellerman's vaudeville act. Film historian Anthony Slide speaks over footage of her performing her unique underwater ballet.

Kellerman's most active vaudeville years were from 1905 to the 1930s. Her show evolved over time to include a mix of diving, swimming, ballet, tap-dancing, underwater ballet, physical culture, diabolo, wire walking, comedy, physical fitness and health lectures, and playing the violin and piano accordion.

She even incorporated a drag act into her show from 1918. Wearing a tailored suit, top hat and monocle she called her character 'the English Johnny'.

Performing for the Queen of England at the London Hippodrome was an early highlight of her career. In 1907 she moved to the USA and acted in silent films such as Neptune's Daughter (1914) and A Daughter of the Gods (1916).

Rather than diminishing her vaudeville career, Kellerman's silent film appearances boosted her theatre audiences. Her 'Big Show' season at New York's Hippodrome in 1917 was the peak of her career, running for 426 performances. Two hundred mermaids appeared in the show and the finale was a high dive over a waterfall.

Kellerman was known as the Queen of Modern Vaudeville and was one of the most highly-paid stars on the circuit, earning thousands of dollars per week.

Notes by Beth Taylor

Courtesy of
Michael Cordell

After wowing Australia, England and Europe with her marathon swimming prowess, Annette Kellerman became famous for her vaudeville performances.

This excerpt from the documentary The Original Mermaid (Michael Cordell, Australia, 2002) uses a mixture of expert interviews, stylised re-creations, film and photographs from the time, and narration (by Tara Morice, playing Kellerman) to tell her life story. Much of Kellerman's narration is taken from papers and books that she wrote.

In voice-over, historian Murray Phillips gives context to Kellerman's vaudeville act. Film historian Anthony Slide speaks over footage of her performing her unique underwater ballet.

Kellerman's most active vaudeville years were from 1905 to the 1930s. Her show evolved over time to include a mix of diving, swimming, ballet, tap-dancing, underwater ballet, physical culture, diabolo, wire walking, comedy, physical fitness and health lectures, and playing the violin and piano accordion.

She even incorporated a drag act into her show from 1918. Wearing a tailored suit, top hat and monocle she called her character 'the English Johnny'.

Performing for the Queen of England at the London Hippodrome was an early highlight of her career. In 1907 she moved to the USA and acted in silent films such as Neptune's Daughter (1914) and A Daughter of the Gods (1916).

Rather than diminishing her vaudeville career, Kellerman's silent film appearances boosted her theatre audiences. Her 'Big Show' season at New York's Hippodrome in 1917 was the peak of her career, running for 426 performances. Two hundred mermaids appeared in the show and the finale was a high dive over a waterfall.

Kellerman was known as the Queen of Modern Vaudeville and was one of the most highly-paid stars on the circuit, earning thousands of dollars per week.

Notes by Beth Taylor

Courtesy of
Michael Cordell
  • Director
    Michael Cordell
    Producer
    Ian Collie
    Scriptwriter
    Emily Gibson
    Cinematographer
    Kim Batterham
    Production company
    Hilton Cordell Productions
Industry professional? Go Pro

Need to license this item? A/V professionals and researchers can shortlist licensing enquiries via our NFSA Pro catalogue search and membership.

Get started with PRO

Collections to explore

  • Annette Kellerman

  • Fashion Design

  • 1910s

  • Start your own collection

    A free Your Stuff account allows you to save, organise and share your favourite videos, audio and stories.

More in Stories+

Personalized your experience

Save, create and share

With NFSA Your Stuff