Lillian Roxon asks provocatively, ‘Have The [Rolling] Stones changed?’.
In this brief but brilliant round-up Lillian Roxon speaks with a sense of urgency – talking at a mile a minute in order to review albums and mention acts she hasn’t had time to focus on i
In this editorial about the trouble with album covers, Lillian Roxon is clearly addressing her audience as one rock fan to another (‘You can say it’s irrelevant, but you know and I know that it isn
Fond of a pun, Lillian Roxon’s background as a tabloid journalist shows in the headline for this radio story, ‘Has Jim Morrison Closed The Doors?’.
Lillian Roxon is out to correct some misconceptions about Peter Allen’s music in this report.
Known as ‘the Mother of Rock’, Lillian Roxon effectively presents herself here as being at the epicentre of music and culture in New York City in the 1970s.
In this report about female rock groups Fanny and Pride of Women, Lillian Roxon’s passion for the advancement of women in rock shines through.
There is no pretence at journalistic objectivity in this report by Lillian Roxon about John Lennon and Yoko Ono ‘mingling with the citizens’ of New York.
This report about an Aretha Franklin concert is in a more familiar straight style of music journalism, where we experience a concert through the eyes and ears of the critic.
It’s obvious from this recording that Lillian Roxon prides herself on being able to identify which acts will make it big.