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National Film and Sound Archive of Australia

Tagged: Jacki Weaver

Collection
Caddie
View behind-the-scenes collection items relating to Caddie, a breakthrough Australian film of the 1970s starring Helen Morse. Highly successful with critics and audiences, it offers a powerful ...
Article
Caddie's Feminist Legacy
The second part of our celebration of Caddie's 40th anniversary, focusing on the feminist legacy of the film.
Article
Caddie turns 40
This year marks the 40th anniversary of the release of Caddie, a breakthrough feature of the Australian film revival of the 1970s.
Video
Jacki Weaver advertising Rice Krinkles (1965)
This commercial for the Nabisco-owned breakfast cereal Rice Krinkles features an 18-year-old Jacki Weaver. In the early days of television advertising, corporate brands identified the teenage market...
Video
Mad Max 2: 'The Man's Film that Women Love'
Celebrated actor Jacki Weaver markets Mad Max 2 to female audiences in this short TV clip from 1981 promoting the film's Australian release. 'I don't like films that terrify me', starts Weaver before...
Image
Jacki Weaver in Homicide
Jacki Weaver (playing music reporter Vicki Gaye) and Buddy England raise glasses in Homicide Ep. 240, The Sound of Money.
Image
Caddie lobby card: Josie (Jacki Weaver) and Caddie (Helen Morse) working in a pub
Jacki Weaver and Helen Morse working in a pub. Lobby card for the Caddie, 1976.
Image
Helen Morse (left) as Caddie with Jacki Weaver (Josie)
Helen Morse (left) as Caddie with Jacki Weaver (Josie). Film still from Caddie (1976).
Image
Jacki Weaver
Jacki Weaver during the filming of episode 240, Sound of Money.
Image
Minnie and Dianne
Mademoiselle Dianne de Poitiers (Helen Morse) and Minnie (Jacki Weaver) investigate Sara's room after her sudden departure from the college.
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The National Film and Sound Archive of Australia acknowledges Australia's Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.

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