We acknowledge Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and give respect to their Elders, past and present.

Read our Statement of Reflection

Your Cart

Your cart is empty right now...

Discover what's on
Your Stuff
Lists
No lists found
Create list
List name
0 Saved items
Updated: a few seconds ago
Getting Started
Get started with Your Stuff

A free Your Stuff account allows you to save, list and share your favourite collection items and articles. This account will give you access to Your Stuff, NFSA Player and Pro. You will need to create an additional account for Canberra event tickets.

Confirm
Skip to main content
National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

Vivien Mepham on Mad Max

2018

Vivien Mepham on Mad Max

2018

  • NFSA ID8Y13D3J7
  • TypeOral History
  • MediumAudio
  • FormOral history
  • Year2018

Make-up artist Vivien Mepham interviewed by Lorna Lesley.

In this clip Vivien talks about doing make-up on the original Mad Max (George Miller, 1979).

She talks about working in rough and ready circumstances, the actors taking Method techniques to extremes, and their collaboration creating a type of 'Aussie punk'.

Vivien’s other film credits as make-up artist include The Thin Red Line (Terrence Malick, US, 1998), Birthday Girl (Jez Butterworth, UK-US, 2001) and Darkness Falls (Jonathan Liebesman, US-Australia, 2003).

Make-up artist Vivien Mepham interviewed by Lorna Lesley.

In this clip Vivien talks about doing make-up on the original Mad Max (George Miller, 1979).

She talks about working in rough and ready circumstances, the actors taking Method techniques to extremes, and their collaboration creating a type of 'Aussie punk'.

Vivien’s other film credits as make-up artist include The Thin Red Line (Terrence Malick, US, 1998), Birthday Girl (Jez Butterworth, UK-US, 2001) and Darkness Falls (Jonathan Liebesman, US-Australia, 2003).

  • Interviewer
    Lorna Lesley
Industry professional? Go Pro

Need to license this item? A/V professionals and researchers can shortlist licensing enquiries via our NFSA Pro catalogue search and membership.

Get started with PRO

Collections to explore

More in Stories+

Personalized your experience

Save, create and share

With NFSA Your Stuff