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National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

Radiance: True Love

1998

Radiance: True Love

1998

  • NFSA IDY2K0VFZH
  • TypeFilm
  • MediumMoving Image
  • FormFeature Film
  • Duration1 hr, 21 mins
  • GenresIndigenous themes or stories, Indigenous as subject
  • Year1998
  • WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons

Mae (Trisha Morton-Thomas) is wearing her mother’s wedding dress. Nona (Deborah Mailman) wants to bottle the ashes so they can take them to the island to scatter. Mae and Nona enter into a tug of war over the ashes, and the ashes of their mother spill all over Cressy (Rachael Maza).

Summary by Romaine Morton

Courtesy of
Ned Lander
  • WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons

Mae (Trisha Morton-Thomas) is wearing her mother’s wedding dress. Nona (Deborah Mailman) wants to bottle the ashes so they can take them to the island to scatter. Mae and Nona enter into a tug of war over the ashes, and the ashes of their mother spill all over Cressy (Rachael Maza).

Summary by Romaine Morton

Courtesy of
Ned Lander
  • Director
    Rachel Perkins
    Writer
    Louis Nowra
    Producer
    Ned Lander
    Cinematographer
    Warwick Thornton
    Cast
    Deborah Mailman, Rachel Maza, Trisha Morton-Thomas
  • Radiance Synopsis

    Three sisters reunite for the funeral of their mother after having not seen each other for an extended period of time.

    Radiance Curator’s notes

    Based on the play of the same name by Louis Nowra, Radiance is the third feature film directed by an Indigenous person, following Jindalee Lady and BeDevil. The film explores the relationship between Mae (Trisha Morton-Thomas), Cressy (Rachael Maza) and Nona (Deb Mailman), and is one of the rare times in cinematic history that the emotional interior of the lives of Indigenous women have been explored, especially in a feature film format. The significance of cultural identity falls away to reveal three central characters who are concerned with notions of family, belonging, and home. Radiance is Perkins’ first feature film, and has won many awards.

    Notes by Romaine Moreton

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