The odd ruthlessness of the Bannister family becomes more obvious, as Doris (Ruth Cracknell) tries to undo what’s been done, with food or a facial. The provocative relationship between Felicity and her father (John Frawley) also becomes more obvious, suggesting a dark history. This is one of the only scenes set in the kitchen, presumably to show Doris’s cleaning fetish. It has an almost feverish pitch, suggesting mounting hysteria.

The Night the Prowler synopsis

In a wealthy part of Sydney, Felicity Bannister (Kerry Walker) pretends she has been raped by a prowler, in order to take control of her own life. Her neurotic mother (Ruth Cracknell) is more worried about her daughter’s upcoming wedding. Her father (John Frawley) is concerned that she’s no longer a virgin. As the family’s fragile structure crumbles, Felicity becomes a prowler herself.

Curator's notes

The Night the Prowler is based on a short story by Patrick White, one of the greatest novelists Australia has produced, but this was his first screenplay and it shows, in a tendency toward over-statement. The film is a savage satire on the neuroses of the privileged of Sydney’s eastern suburbs, where White lived, and the director Jim Sharman grew up. Much of the satire verges on invective, and the film was criticised for being ponderous, pretentious and condescending. Parts of it are like that – especially some of the dialogue – but the film also has some moments where everything works.

White’s bitter humour is then matched by Jim Sharman’s playfully surreal visual sense, and the fine performances of Kerry Walker and Ruth Cracknell. The film also had its defenders, who saw a lot of truth in its depiction of a dysfunctional family. ‘The Night the Prowler is the most ambitious film involving family relationships yet produced in Australia’, wrote critic Adrian Martin in 1980.

Notes by Paul Byrnes