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National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

The Morning Star Painter: Harvesting the bark

1980

The Morning Star Painter: Harvesting the bark

1980

  • NFSA IDP0ZB215H
  • TypeFilm
  • MediumMoving Image
  • FormDocumentary
  • Duration27 mins, 32 secs
  • GenresIndigenous themes or stories, Indigenous as subject
  • Year1980
  • WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons

Djiwul (Jack) Wunuwun cuts bark from a tree in the bush, with an axe. The narrator (David Gulpilil) says the best time to get the bark is in the wet season. Summary by Liz McNiven.

  • WARNING: Aboriginal and Torres Strait Islander viewers are advised that the following program may contain images and/or audio of deceased persons

Djiwul (Jack) Wunuwun cuts bark from a tree in the bush, with an axe. The narrator (David Gulpilil) says the best time to get the bark is in the wet season. Summary by Liz McNiven.

  • Production company
    Curtis Levy Productions
    Director
    Curtis Levy
    Writer
    Curtis Levy
    Music
    Dick Bandilil, David Gulpilil
    Acknowledgements
    Produced with the assistance of the Australia Council for the Arts
  • World famous bark painter Jack Wunuwun harvests a sheet of bark from a tall straight tree in the bush. He will strip the skin off the bark, smooth the surface with a knife and leave it to dry in the sun. The bark then becomes the base for his painting.

    The Morning Star Painter synopsis

    This short film narrated by David Gulpilil documents the production of a bark painting by the highly acclaimed artist Djiwul (Jack) Wunuwun in his homeland community of Gamedi near Maningrida in Arnhem Land.

    The Morning Star Painter curator's notes

    This short film by Curtis Levy records the creation of an artistic masterpiece, the Banubirr (Morning Star) series of paintings by the legendary painter, Jack Wunuwun.

    It highlights the importance of the arts industry to the social, cultural and economic lives of Arnhem Land artists, craftspeople and their families. Making and selling art also supports the continuity of the peoples’ cultural traditions and lifestyle.

    The film presents the process of making a bark painting and the significance of the story painted on the bark, within the religious life of the artist and his peoples. It shows Wunuwun harvesting and treating the bark in preparation for painting; preparing clay, charcoal and ochre paints; and, most importantly, performing the appropriate songs and dances to accompany the creation of a visual representation of the Morning Star story.

    Wunuwun is a nationally and internationally collected artist. Morning Star Painter screened at the 1980 Melbourne International Film Festival.

    Notes by Liz McNiven

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