Difficult Pleasure: A Portrait of Brett Whiteley - Taxi drawing
1989
Difficult Pleasure: A Portrait of Brett Whiteley - Taxi drawing
1989
- NFSA IDYPDB8BRX
- TypeFilm
- MediumMoving Image
- FormSeries
- Duration50 mins
- Year1989
Australian artist Brett Whiteley is drawing in the back of a London taxi, explaining that this is his image of London. He draws his view from the back seat, including the legs of his companion Janice Spencer, seated in the cab next to him. As it is a sunny day, he has arranged for a hose to provide the effect of rain on the windscreen to help produce London’s ‘zen melancholia’. Summary by Damien Parer.
Australian artist Brett Whiteley is drawing in the back of a London taxi, explaining that this is his image of London. He draws his view from the back seat, including the legs of his companion Janice Spencer, seated in the cab next to him. As it is a sunny day, he has arranged for a hose to provide the effect of rain on the windscreen to help produce London’s ‘zen melancholia’. Summary by Damien Parer.
- NFSA IDYPDB8BRX
- TypeFilm
- MediumMoving Image
- FormSeries
- Duration50 mins
- Year1989
- Production companyFeatherstone ProductionsProducerDon FeatherstoneDirectorDon FeatherstoneResearch and scriptJoanna PenglaseOriginal musicGraham Tardif
An engaging documentary that keeps you wondering what Brett Whiteley is going to say next. He is frankly revealing one moment, satirises himself the next, and gets angry when asked to explain the Van Gogh series on camera.
Producer-director Don Featherstone has made films about many artists. His credits include Australia Revealed, The One Percenters and The Beach. The original music by Graham Tardif is particularly effective.
Difficult Pleasure synopsis
A biographical documentary that follows Australian artist Brett Whiteley as he travels from his studio in Sydney to London. Whiteley started painting in the 1960s in London and Paris before returning to Sydney. He has painted landscapes, portraits, tributes to other painters like Francis Bacon and Vincent van Gogh and later in life created sculptures. He responds frankly to filmmaker Don Featherstone’s prompting, offering observations on how to get started as a painter, and reflecting on his drug addiction, his self-doubt, and the political content of his paintings.
Notes by Damien Parer
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