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National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

Dead Eyes Opened by Severed Heads

1984

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Dead Eyes Opened by Severed Heads

1984

  • NFSA IDFGHP7T3W
  • TypeMusic and Sound Recordings
  • MediumAudio
  • FormMusic
  • GenresPopular music
  • Year1984

Conceived initially as filler on a cassette, 'Dead Eyes Opened' defied its modest beginnings – twice. Released in 1984 and revived by a 1994 remix, the track became Severed Heads' (reluctant) signature. Deeply danceable and genuinely terrifying, it blends a horror voice-over fit for Vincent Price ('By a strange coincidence, a thunderstorm had been brewing…') with spectral proto-trance.

Built on a framework of oscillating arpeggios, 'Dead Eyes Opened' unfurls over six-and-a-half minutes; its sonic shifts are less progression than a tightening grip. Cascading synths are mesmeric, unabashedly beautiful, slashed open by a blast of pure noise at the two-minute mark: nightmare freefall.

The central sample – a spoken-word narration by Edgar Lustgarten – is taken from a BBC radio series, which recounts a 1924 murder. Lustgarten's detached, matter-of-fact delivery cleaves to the siren call of those synths, adding a sense of eerie inevitability – like hearing a ghost tell its own story. The song's dream-within-a-dream structure is still unmatched, its loping melodies turning repetition into revelation.

Read more in 1984: Australia finds its voice, part 2.

Conceived initially as filler on a cassette, 'Dead Eyes Opened' defied its modest beginnings – twice. Released in 1984 and revived by a 1994 remix, the track became Severed Heads' (reluctant) signature. Deeply danceable and genuinely terrifying, it blends a horror voice-over fit for Vincent Price ('By a strange coincidence, a thunderstorm had been brewing…') with spectral proto-trance.

Built on a framework of oscillating arpeggios, 'Dead Eyes Opened' unfurls over six-and-a-half minutes; its sonic shifts are less progression than a tightening grip. Cascading synths are mesmeric, unabashedly beautiful, slashed open by a blast of pure noise at the two-minute mark: nightmare freefall.

The central sample – a spoken-word narration by Edgar Lustgarten – is taken from a BBC radio series, which recounts a 1924 murder. Lustgarten's detached, matter-of-fact delivery cleaves to the siren call of those synths, adding a sense of eerie inevitability – like hearing a ghost tell its own story. The song's dream-within-a-dream structure is still unmatched, its loping melodies turning repetition into revelation.

Read more in 1984: Australia finds its voice, part 2.

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