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National Film and Sound Archive of AustraliaNational Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive
National Film and Sound Archive of Australia
National Film and Sound Archive

The Book Place: The Bookworm

1991

The Book Place: The Bookworm

1991

  • NFSA ID1XKZ0ZQR
  • TypeTelevision
  • MediumMoving Image
  • FormSeries
  • GenresVariety show, Children
  • Year1991

Do you find this iconic TV worm endearing or a touch uncanny? Beloved ‘90s kids show The Book Place is remembered for both its playful literacy education and the wacky design of its puppet host, the Bookworm. Giant curled lashes, a purple satin tie and Michael Scheld’s gravelly voice gave the Bookworm a theatrical flair that sits oddly against his worminess – a cabaret energy that sets The Book Place apart from simple children’s programming.

In this intro to a story about elephants, the Bookworm banters with a bunch of toy animals (‘Can I call you Zeb?’). The camera lingers on their fixed plastic faces, a visual contrast to his constant, fleshy wriggle. A wriggle that makes him feel uncomfortably alive. The moment captures a familiar childhood instinct – animating the inanimate – while showcasing the show’s knack for sliding between sweetness, silliness and the surreal.

The slightly rickety production, the wink of oddball humour and the willingness to get a bit weird cement The Book Place as peak ’90s children’s TV.

Do you find this iconic TV worm endearing or a touch uncanny? Beloved ‘90s kids show The Book Place is remembered for both its playful literacy education and the wacky design of its puppet host, the Bookworm. Giant curled lashes, a purple satin tie and Michael Scheld’s gravelly voice gave the Bookworm a theatrical flair that sits oddly against his worminess – a cabaret energy that sets The Book Place apart from simple children’s programming.

In this intro to a story about elephants, the Bookworm banters with a bunch of toy animals (‘Can I call you Zeb?’). The camera lingers on their fixed plastic faces, a visual contrast to his constant, fleshy wriggle. A wriggle that makes him feel uncomfortably alive. The moment captures a familiar childhood instinct – animating the inanimate – while showcasing the show’s knack for sliding between sweetness, silliness and the surreal.

The slightly rickety production, the wink of oddball humour and the willingness to get a bit weird cement The Book Place as peak ’90s children’s TV.

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