
This poster is a bold image of Max Rockatansky's iconic, souped-up black car.
The poster has a satisfying menace to its design with the word 'Interceptor' written across the top as if scrawled in neon.
The location seems to be inside a graffiti-adorned cave or underground lair, effectively illustrating the post-civilisation setting of the film.
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.