A portrait of the pioneering filmmakers from the 1920s and 30s: Isabel, Paulette and Phyllis McDonagh.
A die-cast model of a Cinesound Film Unit FJ Holden panel van, similar to that featured in the classic Australian film Newsfront.
Profiling Jane Campion, whose film The Piano was released in Australia 25 years ago.
A personal perspective on the early days of remote Indigenous media groups.
In Part 2 of his essay, Quentin Turnour investigates Frank Hurley's association with the promotion of Douglas Mawson's Australasian Antarctic Expedition film.
National Film and Sound Archive CEO Michael Loebenstein delivered a speech to mark the UNESCO World Day for Audiovisual Heritage on 27 October.
How did a boilermaker-turned-soldier become an internationally performing tenor? NFSA sound curator Graham McDonald investigates the background of the man who first recorded Waltzing Matilda.
NFSA research fellow Anthony Linden Jones is looking at the representation of Indigenous culture in Australian film music, particularly focusing on films made before 1960.
Music and film festivals and festival posters have become an integral part of Australia’s cultural scene. Collective Passions showcases festival posters in the NFSA collection.
Rod Butler and Mick Newnham share the NFSA's preservation expertise in Noumea.
Jazz drummer Barry Woods has passed away in Sydney. Carla Teixeira looks at his life and legacy.
Kavisha Mazzella, winner of the National Folk Recording Award.
Sound Archivist Graham McDonald has compiled a selection of rare and beautiful record sleeve designs from Australia, USA, UK and the rest of the world.
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