A portrait of the pioneering filmmakers from the 1920s and 30s: Isabel, Paulette and Phyllis McDonagh.
We are now the custodian of more than 20,000 vinyl records from SBS radio stations 3EA in Melbourne and 2EA in Sydney.
Profiling Jane Campion, whose film The Piano was released in Australia 25 years ago.
A portrait of the pioneering filmmakers, The McDonagh Sisters - Isabel, Paulette and Phyllis. NFSA Restores: The Cheaters screened at the Melbourne International Film Festival 2018.
Jane Campion's bold and unconventional work has been acclaimed around the world.
Matt Nettheim shares insights into his work as on-set stills photographer on films featured in the Starstruck: Australian Movie Portraits exhibition.
In these Oral History interviews, three filmmakers discuss their careers making documentary and drama for TV and film.
Arc Screening Program Manager Quentin Turnour profiles the career of Iranian cinema’s hottest director, Asghar Farhadi, ahead of a special program featuring four of his films.
Screening Program Manager Quentin Turnour looks at the career and work of controversial Japanese director Ōshima Nagisa.
Director Kriv Stenders and editor Jill Bilcock discuss the making of 'Red Dog' with Queensland high school students for the latest NFSA Connects.
Brendan Fletcher's feature won the 2011 NFSA IF Award for Independent Spirit. Miguel Gonzalez spoke with this 'mad' director/producer.
Graham Shirley reflects on Gillian’s films and career ahead of this weekend’s repeat screenings of two of her films.
Director Gillian Armstrong writes about the screening of a new preservation print of her 1992 film 'The Last Days of Chez Nous' at the NFSA.
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