A portrait of the pioneering filmmakers from the 1920s and 30s: Isabel, Paulette and Phyllis McDonagh.
A die-cast model of a Cinesound Film Unit FJ Holden panel van, similar to that featured in the classic Australian film Newsfront.
Profiling Jane Campion, whose film The Piano was released in Australia 25 years ago.
In part two, Jeannette Delamoir describes filmmaker Franklyn Barrett's preparations for, and staging of, a live prologue to The Ten Commandments in Far North Queensland, 1925.
Hollywood, local filmmakers and regional Australia intersect in the story of Franklyn Barrett's touring of a live prologue to Cecil B DeMille's The Ten Commandments in Far North Queensland, 1925.
Audio officer Gerry O'Neill reveals the mysteries of disc cleaning and digitisation, to make those old records sound like new.
Film, documents and artefacts curator Jillian Mackenzie lifts the lid on a 1947 Wurlitzer Jukebox from the NFSA collection.
The NFSA exhibition gallery is home to the newest incarnation of 'Fractured Heart', an interactive sound and light sculpture and collaboration between singer-songwriter Gotye and illuminart.
In Wellington, New Zealand, Audiovisual Conservation Assistant Kerry Yates found that objects and artefacts have a life of their own.
Martyn Jolly, Head of Photography and Media Arts at the ANU School of Art, writes about the connection between 'Soldiers of the Cross' and one of the world's first blockbuster films, Italy's 'Quo Vadis' (1913).
Film curators Jennifer Coombes and Tenille Hands recently accepted a collection of props and costumes from Fred Schepisi's 'The Eye of the Storm' (2011). How did they make their selection?
NFSA conservator Shingo Ishikawa and digitisation specialist Darren Weinert talk about digital preservation and packaging of cinema slides.
NFSA conservator Shingo Ishikawa and digitisation specialist Darren Weinert talk about the NFSA's glass slide preservation project.
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