A portrait of the pioneering filmmakers from the 1920s and 30s: Isabel, Paulette and Phyllis McDonagh.
A die-cast model of a Cinesound Film Unit FJ Holden panel van, similar to that featured in the classic Australian film Newsfront.
Profiling Jane Campion, whose film The Piano was released in Australia 25 years ago.
Meet Beth Taylor, Online Content Producer at the NFSA, whose artistic endeavours include filmmaking, art installations, sculpture, writing and photography.
NFSA Audiovisual Preservation Manager, Danny Dawson, talks to Adam Blackshaw about his career highlights and the challenges of digitisation.
Emily George speaks with Documents and Artefacts Curator Belinda Hunt about how a visit to the NFSA in primary school would ultimately define her career - and her life.
Operations Supervisor Michael Karris chats to Emily George about how he taught himself to direct, produce and write films, his love of the medium and the work he does with the NFSA collection.
Bronwyn Murphy talks to Emily George about working as a sound editor on Rabbit-Proof Fence (2002), The Sapphires(2012) and Mabo: Life of an Island Man(1997).
Film Curator Heather Gill looks at the legacy of short-film festival Tropfest.
The NFSA has supplied Australian archival film classics to Cambodia's Technicolor Foundation Film Festival and NFSA Senior Researcher Mick Newnham enjoys the audience reaction.
Mick Newnham attends the inaugural MEMORY! International Film Heritage Festival in Phnom Penh and is reminded that 'there are no old films, just films you haven't seen yet'.
Film journalist Sandy George looks at the impact of the Adelaide Film Festival.
The Young at Heart Film Festival is about engagement and involvement in film and is targeted at audiences over 60. It is held annually in March during NSW Seniors' Week.
Other ways to Support Us