A portrait of the pioneering filmmakers from the 1920s and 30s: Isabel, Paulette and Phyllis McDonagh.
A die-cast model of a Cinesound Film Unit FJ Holden panel van, similar to that featured in the classic Australian film Newsfront.
Profiling Jane Campion, whose film The Piano was released in Australia 25 years ago.
When it comes to dance and choreography, John 'Cha Cha' O'Connell needs no introduction.
Roger Cowland recalls his work in film optical effects on films like Babe and Mad Max.
Twenty-five years after the release of Strictly Ballroom, the NFSA's Miguel Gonzalez caught up with one of the stars of the film, Tara Morice.
Twenty-five years on, Paul Mercurio talks to the NFSA's Miguel Gonzalez about his life and career after the success of Strictly Ballroom.
In an exclusive interview, Paul Mercurio and Tara Morice share memories of the movie that launched their big-screen careers.
The NFSA is celebrating the 25th anniversary of Strictly Ballroom with a bold new online exhibition and curated collection.
Film Curator Heather Gill looks at the legacy of short-film festival Tropfest.
The NFSA has supplied Australian archival film classics to Cambodia's Technicolor Foundation Film Festival and NFSA Senior Researcher Mick Newnham enjoys the audience reaction.
Mick Newnham attends the inaugural MEMORY! International Film Heritage Festival in Phnom Penh and is reminded that 'there are no old films, just films you haven't seen yet'.
Film journalist Sandy George looks at the impact of the Adelaide Film Festival.
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