The NFSA is participating in a Home Movie Marathon on the World Day for Audiovisual Heritage.
Listen to excerpts from Richard Kingsmill's 1988 community radio documentary about the Australian music industry.
These 24 glass slides set out Walter Scott Griffiths' alternative vision for Canberra.
Film Preservation Officer Paul Heslin went to George Eastman Museum in New York, and was fascinated by the restoration of Tod Browning's Drifting.
This week, the NFSA is hosting the 71st FIAF Congress in Sydney and Canberra. We look back at the technological predictions made at the previous NFSA-FIAF Congress in 1986.
Bronwyn Dowdall and Shevaun O'Neill discuss the attention economy and what it means for archives today.
Thom Neal is the winner of the 2014 NFSA-ACS John Leake OAM ACS Award in Brisbane. We spoke with him a few days before he was named emerging cinematographer of the year.
'I like to think a cinematographer is a visual psychiatrist,' says 2013 NFSA-ACS John Leake OAM ACS Award winner Dale Alexander Bremner.
'I know I'm doing exactly what I want to be doing.' Jimmy Ennett, 2012 winner of the NFSA-ACS John Leake OAM ACS Award talks about his experiences as an emerging Canberra-based filmmaker.
Kristy Stark, 2010 recipient of the NFSA-ACS John Leake OAM ACS Award talks about her transition from cinematographer to producer, producing for online and 'Wastelander Panda'.
Thai Film Archivist Kedsuda Jina recently visited the NFSA to learn about our preservation work. She told Clair Hurford that her country's heritage is in danger because of a lack of interest from the public.
Senior researcher Mick Newnham reports on his recent visit to the Solomon Islands for the Pacific Regional Branch of the International Council on Archives.
Film curator Kathrin di Rocco is taking part in an exchange program with George Eastman House in Rochester, New York.
Other ways to Support Us