A portrait of the pioneering filmmakers from the 1920s and 30s: Isabel, Paulette and Phyllis McDonagh.
A die-cast model of a Cinesound Film Unit FJ Holden panel van, similar to that featured in the classic Australian film Newsfront.
Profiling Jane Campion, whose film The Piano was released in Australia 25 years ago.
Film Preservation Officer Paul Heslin went to George Eastman Museum in New York, and was fascinated by the restoration of Tod Browning's Drifting.
Film curator Kathrin di Rocco is taking part in an exchange program with George Eastman House in Rochester, New York.
Craig Dingwall arrives at George Eastman House as part of the NFSA’s exchange program.
Testing photographic material of all types, for all types of stability issues.
Juan Vrijs from Haghefilm gives a lesson in film repair and splicing.
Darren Weinert inspected a large Technicolor collection at George Eastman House's Gleason Storage Facility.
Visiting the Motion Picture Department at George Eastman House.
Darren Weinert arrives at George Eastman House.
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