A history of ethnographic filmmaking and the representation of Indigenous Australians on film.
Celebrating the women of cricket from the 1930s to today.
Janine Winfree, a visitor from George Eastman House in the US, explores the NFSA's 28mm film collection.
The NFSA together with Deluxe Sydney and Kodak (Australasia) have preserved and made available 75 classic Australian films.
Film curator Sally Jackson's examination of original documents in Australia and France sheds new light on the man who brought the cinema to Australia in 1896.
The discovery of two films made in Australia by frères Lumière representative Marius Sestier in 1896 includes Australia’s earliest surviving film.
Producer Joanna Buggy and highly acclaimed solo violinist Niki Vasilakis from Adelaide discussed the classical music documentary '4' with high school students in South Australia. Watch videos from the event.
On 16 September, violinist Niki Vasilakis and producer Joanna Buggy discussed their documentary film '4' via videoconference with over 60 music and media students.
Graham Shirley reflects on Gillian’s films and career ahead of this weekend’s repeat screenings of two of her films.
Director Gillian Armstrong writes about the screening of a new preservation print of her 1992 film 'The Last Days of Chez Nous' at the NFSA.
New 35mm prints of 'Love Serenade' and 'The Last Days of Chez Nous' screened at the Sydney Film Festival.
Juan Vrijs from Haghefilm gives a lesson in film repair and splicing.
Darren Weinert inspected a large Technicolor collection at George Eastman House's Gleason Storage Facility.
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