The NFSA is participating in a Home Movie Marathon on the World Day for Audiovisual Heritage.
Listen to excerpts from Richard Kingsmill's 1988 community radio documentary about the Australian music industry.
These 24 glass slides set out Walter Scott Griffiths' alternative vision for Canberra.
Kylie, Jason, Bananarama. These are only some of the people that our Audio Services Preservation Officer and Assistant Curator worked with before joining the NFSA.
Sound designer, yoga teacher, film preserver, florist, foley artist, animal voice-over artist: the talents of our Senior Curatorial Officer Annie Breslin are many!
NFSA Audiovisual Preservation Manager, Danny Dawson, talks to Adam Blackshaw about his career highlights and the challenges of digitisation.
Meet Jenny Gall, Assistant Curator - Documents and Artefacts, who has a passion for the performing arts, an obsession with textiles and a love of musical instruments.
Meet NFSA staffer Gerry O'Neill: preserving Australia's sound heritage when he's not thrashing his guitar with punk outfit The Bladder Spasms.
Emily George speaks with Documents and Artefacts Curator Belinda Hunt about how a visit to the NFSA in primary school would ultimately define her career - and her life.
Operations Supervisor Michael Karris chats to Emily George about how he taught himself to direct, produce and write films, his love of the medium and the work he does with the NFSA collection.
Bronwyn Murphy talks to Emily George about working as a sound editor on Rabbit-Proof Fence (2002), The Sapphires(2012) and Mabo: Life of an Island Man(1997).
Radio Archivist Maryanne Doyle speaks with Emily George about her days in improvisational theatre, her time at Gorman House and what she loves about working with the NFSA radio collection.
In the first edition of our new staff profile series, Emily George speaks with Sound Archivist Tamara Osicka about how she got started on her career, and how she feels handling important cultural items.
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