In the late 1960s and early 70s, up-and-coming rock bands looked to find fame and win big by competing in the ultimate contest – Hoadley's Battle of the Sounds.
Costume designer Norma Moriceau drew on her background in the London punk scene when creating iconic costumes for Mad Max 2 and Mad Max Beyond Thunderdome.
In 1929, Hoyts – with help from Studebaker and the Shell Oil Company – loaded cinema sound equipment onto a truck so regional Australia could experience the latest in 'talking pictures'.
