These 24 glass slides set out Walter Scott Griffiths' alternative vision for Canberra.
We're celebrating 20 years of The Matrix with a special screening and Q&A.
The beloved film opened in Australian cinemas 25 years ago. To celebrate, we're Undressing Priscilla all over again.
Stewart Shannon reveals some of the tricks and secrets that the Collection Management team use to keep the NFSA collection safe.
The NFSA looks to the television collection to celebrate the 50th anniversary of Channel 10 in Melbourne, then known as ATV0.
The NFSA has released rare footage of one of Australian Rules football’s greatest players, Essendon forward John Coleman. Film curator Simon Smith made the discovery.
Dr Jennifer Gall, Manager Research Programs, introduces Anna Haebich and her work profiling the NFSA's holdings relating to Aboriginal performing arts in Western Australia.
Thom Neal is the winner of the 2014 NFSA-ACS John Leake OAM ACS Award in Brisbane. We spoke with him a few days before he was named emerging cinematographer of the year.
'I like to think a cinematographer is a visual psychiatrist,' says 2013 NFSA-ACS John Leake OAM ACS Award winner Dale Alexander Bremner.
Anna Haebich, a John Curtin Distinguished Professor at Curtin University in Perth, showcases West Australian Aboriginal performing arts and the plays, music, dance and festivals in the NFSA collection.
'I know I'm doing exactly what I want to be doing.' Jimmy Ennett, 2012 winner of the NFSA-ACS John Leake OAM ACS Award talks about his experiences as an emerging Canberra-based filmmaker.
A conversation with the 2011 recipient of the NFSA-ACS John Leake OAM ACS Award, Edward Goldner.
Kristy Stark, 2010 recipient of the NFSA-ACS John Leake OAM ACS Award talks about her transition from cinematographer to producer, producing for online and 'Wastelander Panda'.
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