Listen to excerpts from Richard Kingsmill's 1988 community radio documentary about the Australian music industry.
These 24 glass slides set out Walter Scott Griffiths' alternative vision for Canberra.
Here are 15 facts you might not know about the wonderful world of Simon Townsend.
Film Preservation Officer Paul Heslin went to George Eastman Museum in New York, and was fascinated by the restoration of Tod Browning's Drifting.
Bronwyn Dowdall and Shevaun O'Neill discuss the attention economy and what it means for archives today.
Stewart Shannon reveals some of the tricks and secrets that the Collection Management team use to keep the NFSA collection safe.
Graham Shirley traces the history of the Cinema and Photographic Branch through the life of its first long-term cinematographer, Bert Ive.
The NFSA has chosen Susanne Chauvel Carlsson as the recipient of the 2012 Ken G Hall Film Preservation Award.
The NFSA has chosen David Hannay as the recipient of the 2011 Ken G Hall Film Preservation Award.
Audiovisual Conservationist Sean Mosely takes us through the process of preparing some original Lumière company films for reprinting.
The change to digital cinemas is rapidly gathering speed. How will film prints be screened in the future?
Carol Galbraith, the motion picture laboratory specialist in film inspection at the Library of Congress, takes Darren Weinert on a tour of the film preparation area.
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