A portrait of the pioneering filmmakers from the 1920s and 30s: Isabel, Paulette and Phyllis McDonagh.
A die-cast model of a Cinesound Film Unit FJ Holden panel van, similar to that featured in the classic Australian film Newsfront.
Profiling Jane Campion, whose film The Piano was released in Australia 25 years ago.
Film Preservation Officer Paul Heslin went to George Eastman Museum in New York, and was fascinated by the restoration of Tod Browning's Drifting.
Bronwyn Dowdall and Shevaun O'Neill discuss the attention economy and what it means for archives today.
Stewart Shannon reveals some of the tricks and secrets that the Collection Management team use to keep the NFSA collection safe.
The NFSA has chosen Susanne Chauvel Carlsson as the recipient of the 2012 Ken G Hall Film Preservation Award.
The NFSA has chosen David Hannay as the recipient of the 2011 Ken G Hall Film Preservation Award.
Audiovisual Conservationist Sean Mosely takes us through the process of preparing some original Lumière company films for reprinting.
The change to digital cinemas is rapidly gathering speed. How will film prints be screened in the future?
Carol Galbraith, the motion picture laboratory specialist in film inspection at the Library of Congress, takes Darren Weinert on a tour of the film preparation area.
Other ways to Support Us