Every Australian knows the chorus of 'Waltzing Matilda' but who sang the song first?
This television ad for Woman's Day magazine's Melbourne Cup edition shows a slice of Australian life in 1982.
NFSA staff discuss the significance of preserving our audiovisual heritage.
Radio Archivist Chris Arneil looks at the outcomes of our Gaywaves LGBTI radio preservation program.
Contemporary artists make new recordings on 19th century wax cylinder technology at the NFSA.
Do you want to learn how to extend the lifespan of your photo, music, film and video collections? You've come to the right place.
It’s been a year now that the NFSA has been home to the Gotye / Illuminart interactive sculpture 'Fractured Heart'.
Audio officer Gerry O'Neill reveals the mysteries of disc cleaning and digitisation, to make those old records sound like new.
Mick Newnham, head of the NFSA's Conservation, Research and Preparation team, investigates audiovisual preservation in Myanmar.
The NFSA exhibition gallery is home to the newest incarnation of 'Fractured Heart', an interactive sound and light sculpture and collaboration between singer-songwriter Gotye and illuminart.
Scarlet Barnett and Janet Berenyi, from our Exhibitions team, share their experiences watching people interact with the Gotye-inspired sculpture.
Ken Berryman examines the legacy of the Once Upon A Wireless Oral History Project.
National Film and Sound Archive CEO Michael Loebenstein delivered a speech to mark the UNESCO World Day for Audiovisual Heritage on 27 October.
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